Posts Tagged âVida Guerraâ
Vida Guerra After Dark makes Cover #100!

Vida gets smokinâ hot for our 100th Cover!
Iâve always like shooting with Vida. Sheâs as pro as they come, so much so that some days donât even feel like weâre working. She does her thing, I do mine, and weâve each done it 1000 times. So when the publisher of Vidaâs mag (yes, she now commands her own entire title) contacted me with the âafter darkâ concept, I thought âWell, hereâs something new.â
For one, Iâve always shot not only Vida, but nearly every other model either in a studio or outdoors in sunlight. Suddenly with an issue that would predominantly feature outdoor night shots, I had to get creativeâespecially technically. I decided to reach into my old cinematography bag of tricks and pull out all the ânight shotâ classics: fog machine, silhouettes, out of focus cityscapesâthe works.
We shut down the Highlands club in Los Angeles for day one (it was pouring down rain and my poor photo assistant Ashley slipped and fell down the escalator.), and the shoot went relatively smoothly until an hour before wrap. We were shooting the cover shot (cabaret on stage with smoke) and our fog machine tripped the smoke detectors on the entire complex. Though I apologized profusely to the LAFD, one wonders how in fact the club didnât set it off nightly. Sensitive little buggers.
On day 2 we secured a house high atop Studio City, with a killer view. The owner was, letâs say, eccentric. Naturally, in freezing October temperatures I forced Vida to get in the unheated pool (Iâm horrible, I know). But my favorite setup was the lingerie look on dry land. I had my assistants smoke up the background, but the wind was strong so it kept blowing away. I had them put it on full-blast, but then suddenly the wind stopped, and then the fog was so thick I couldnât see Vida. So for hahaâs I took a test shotâand fell in love with the look. I could barely make out her silhouette, and she was surrounded by an ethereal glow. Magic!
Though I didnât know it at the time, we were shooting what would become my 100th magazine cover. Though I hardly feel my career has been long enough to look back, moments like these offer a great opportunity to stop, reflect, and realign yourself with your new goals.
Vida Guerraâs return to modeling at Ultimate Graveyard

Hereâs your Pep, boys.
Production Shots:
I was thrilled when I got the call that Vida Guerra was returning to modeling. She was my first celebrity model client when I started shooting magazines. I first worked with her on shoots promoting National Lampoonâs Dorm Daze 2. By 2006 we were working together almost exclusively (I think I missed a King and an FHM cover due to prior arrangements), so I was extra bummed when she retired from modeling in early 2007, right after we shot her calendar in Cancun (THAT was a fun trip with lots of stories that Iâll save for later, but remind me to tell you about calling Vidaâs dad the wrong name all week and something about a chicken.)
When approaching a shoot, I always try to avoid repeating not only myself, but also other shoots that the model has done. With a model like Vida, you have to accept that guys are buying the mag primarily for her incredible shape. But having become Vidaâs friend, one thing I always felt that other photographers missed was her smile and her personality. Yeah, her butt is great, and thatâs easy to make look good, but I decided to show Vida in a way she hadnât been seen beforeâhaving ridiculous fun. This was Vidaâs first magazine shoot in over two years, and I wanted something really different. So what better location than Ultimate Graveyard?
We all busted our butts for the two-day shoot, and I towed that â55 Chevy Clipper into the desert with my Hummer (I picked it up at an auction for $500âŚthe Clipper not the Hummer LOL). Then, all the production vehicles, including the RV, got stuck in the sand due to windstorms, so I had to tow 5 vehicles out of the sand. That was the day I fell in love with my truck.
Vida says this is her favorite shoot ever. Hopefully the fans like it too.
(And as youâll see in the behind-the-scenes, my crew really helped me hit this one out the park. Love to my awesome Slickforce team.)