Posts Tagged ‘Maxim India’
Shazeeda Gafoor in Maxim Australia
Maxim Australia, September 2020. “Woman of the World,” pages 82–85. Photographed by Nick Saglimbeni in Toronto.
SHAZEEDA GAFOOR
Photography: NICK SAGLIMBENI
Hair & Makeup: INDU JAY
Article text
Pages 82–83
Shazeeda Gafoor
Meet the stunning Canadian-based Guyanese West Indian model, and ecomonics student, who one day plans to work with the United Nations…
Photographed by Nick Saglimbeni
Hair & make-up by Indu Jay
Pages 84–85
Pull quote: ““I’m very passionate about women’s rights, environmental sustainability and equitable social policies.”
Welcome to MAXIM, Shazeeda. How does it feel?
It feels surreal! It has been such a dream.
We see you’ve done a lot of runway work; how did you get into modelling?
I got into modelling when I was 18 – I had just started University at the time. I’d always been very interested in modelling, so I decided to seriously pursue it that year and I’ve been modelling and living my dream ever since.
Besides modelling, what are your other passions?
I’m very passionate about women’s rights, environmental sustainability and equitable social policies. Also, believe it or not, I’m also passionate about what I study in University – Economics! I’ll be working with the United Nations one day.
If you were not a model, what would you have been?
This is always a tough question because now, even as a model, I have so many other attributes to my life than just my modelling career. If I could choose one though, I definitely would pursue the full student experience – I love to learn.
Your family is Guyanese West Indian and you’ve grown up in Toronto, Canada. Do you find it difficult to blend the two cultures?
Guyanese people are Indo-Caribbean, with an even blend of West Indian and Caribbean cultural practices – mixing this with North American culture doesn’t always work. My family (thankfully) can be very progressive with certain topics, like dating and what I wear – they are traditional about family and individual values, such as valuing higher education. I’m thankful to have been brought up like this because it strengthens my understanding of intersectionality, and tests my patience and pushes me to be the best version of myself no matter what area of my life.
What’s your most favourite part of your culture?
My favourite part of Guyanese culture is the food. We have such a wide variety of dishes that are a fusion of influences like the Amerindian, Chinese, Cajun, Creole, and Latin American. You have to try our signature dish, Pepperpot – it’s best enjoyed around the holiday season.
If you had one superpower, what would it be?
I would want to be able to teleport – is money and commuting is a waste of time.
Define your dream guy in three words.
Educated, kind, ambitious!
How do you let a guy know that you’re interested in him?
I’m pretty forward if I’m getting the right energy from a guy. I flirt playfully with a few arm touches here and there.
What’s your take on dating apps?
Dating apps are cool if that’s what you’re into. I’ve personally never met anyone worthwhile on a dating app – I think the guys worth dating probably don’t need dating apps.
If we had to arrange a perfect date night for you, what would you like us to do?
A perfect date night would be with a guy I liked doing pretty much anything. I’m not a very picky girl with any expensive taste – as long as he makes me laugh a lot and has a charming attitude it’ll be great.
When do you feel at your sexiest?
Right after I finish working out. Gotta love that booty pump!
What’s the secret to a sexy selfie?
Sexy selfies are all about the eyes and lips. Smiling with a slightly parted, moist lip and you’re good to go. ■
Follow Shazeeda Gafoor on Instagram at @s.gafoor
Outtakes · Maxim India, 2018
Hamel Patel for Maxim India
Maxim India, December/January 2019 — the magazine’s final issue. “Of Fantasy & Sway,” pages 110–115. Photographed by Nick Saglimbeni in Raleigh, North Carolina.
HAMEL PATEL
Photography: NICK SAGLIMBENI
Hair & Makeup: HAMEL PATEL
Words: VARUN SARIN
Location: THE MEADOWS, RALEIGH
Production: SLICKFORCE STUDIO
Article text
Pages 110–111
MAXIM GIRL
Of Fantasy & Sway
Hamel Patel has many avatars, and this is our favourite.
Text by VARUN SARIN
Photographed by NICK SAGLIMBENI
Pages 112–113
This is your first shoot with Maxim! How does it feel?
It feels so great. It’s like I’m breaking barriers for my girls!
We’re glad. You’re a model and a make-up artist, too. What role do you like playing the most?
I couldn’t possibly choose! I love playing both parts. It truly helps me bring my creativity to life.
You’ve a big fan base on Instagram. How did you build this community?
I’ve been creating content on Instagram for almost six years now! I would say it was just being myself and sharing my love for art with the world, and that worked.
It sure did! You’re of Gujarati heritage, but have lived in the US your whole life. How do you integrate eastern culture into your everyday life?
It was pretty hard growing up with having to pick and choose sides, but as I got older, I found ways to have the best of both worlds. Some ways I like to integrate culture is with fashion. I love to style and rock Indo-western looks.
Your ‘Disney Princesses’ project got a lot of social media love. How did you give these characters a desi twist?
Each look was elaborately planned out: from my outfits to the colour of my bindi. I wanted to represent each princess as if they were desi themselves.
If not a model or a make-up artist, what would you have been?
If my life didn’t drastically change through Instagram, I would’ve explored graphic design. Designing was and still is a huge part of my life, but sometimes our paths tend to get intertwined.
A lot of men out there would like to know: what does it take to impress you?
Selflessness. Just taking the time to educate yourself about what’s going on in the world and being able to genuinely help others who can’t help themselves!
Would you let a guy know you’re interested?
If I’m interested in a guy, he would just know. I love asking questions; so, I would probably ask him about his goals and aspirations to get to know him better.
Noted. What’s your take on dating apps?
Dating apps aren’t my cup of chai! Online profiles can be really deceiving, so I’m not on any of them. I like getting to know people through physical interaction. It can really tell you a lot about a person.
If we had to arrange the perfect date night for you, what would you like us to do?
Something comfortable, not over the top! Maybe going to a painting class or a picnic and just getting to know each other!
When do you feel sexiest?
I feel sexiest when I’m in an Indian outfit. There’s something sexy about donning a sari or a lehenga: it makes me feel powerful.
Name a celebrity you would like to take a sexy selfie with.
Hrithik Roshan, definitely.
Define your dream guy in three words.
Funny, passionate, knowledgeable!
What can Maxim readers do to #MakeHerSmile?
There’s a lot you can do. Listen to her when she talks, show her that you care, and let her know how much you love her. ■
Pages 114–115
“Listen to her when she talks, show her that you care, and let her know how much you love her.”
Hair & Make-up by HAMEL PATEL
Shot on location at THE MEADOWS RALEIGH
Produced by SLICKFORCE STUDIO
Outtakes
Jaishil for Maxim India
Maxim India, November 2018. “Sensuality Unleashed,” pages 84–91. Photographed by Nick Saglimbeni in Dubai, United Arab Emirates.
JAISHIL
Photography: NICK SAGLIMBENI
Text: PRIYANKA CHAKRABARTI
Hair & Make-up: AURIMUS JUODISKIS
Article text
Pages 84–85
MAXIM GIRL
Sensuality Unleashed
FOR JAISHIL, THE IDEA OF ‘SEXY’ IS THE SAME AS ‘SMART.’
Text by PRIYANKA CHAKRABARTI
Photographed by NICK SAGLIMBENI
Pages 86–87
Welcome to Maxim. How does it feel?
Honestly, I’m so excited and grateful to be featured in Maxim, a publication that focuses on women’s accomplishments that transcend their beauty. It’s a defining moment for me to share a platform with other women I’ve long been inspired by.
How would you define yourself in three words?
Confident, generous and intelligent. After all, I do share my birthday with Oprah!
You’re a British-Indian model living in the Middle East. What is the coolest gig that you’ve ever been a part of?
Born in Kenya and raised in the UK with an Indian ethnicity, I’ve always thought of myself as a woman of the world. So, for me, the Painted Princess Project stands out the most–influential women working with charitable causes for a better world. The profits from the prints are donated to help fight modern-day slavery as well as human trafficking.
What do you like best about your job?
I spent a lifetime not knowing my worth or being able to see the beauty that others saw in me. Modelling is the miracle that helps me practice self-love and enables me to live each day celebrating my worth. The best part of my job is helping others in their self-belief journey.
If not modelling, what would you be doing?
Actually, in addition to modelling, I work in the pharmaceutical industry. A beautiful woman with a brain is a pretty lethal combination! Don’t you agree?
Can’t deny that. You’ve built quite a community on social media. What does it take to maintain it?
I am exceedingly devoted and loyal to my followers. Interacting with those who are in need of genuine support is something that takes precedence. I make time to read all the comments: the good, the bad and the ugly! My community has protected me against trolls in the past, but I will always see my followers as an extension of my Jaishil world.
How much of your personal life do you portray on social media?
I try to portray the parts of my life that would empower or motivate others–personal life lessons as opposed to lifestyle posts that people would gain less from.
How can a guy impress you?
His heart should be the most beautiful thing about him. He must be the sort of person that makes life come to life!
How do you let a guy know you’re interested?
Three distinct things happen when I am interested in a guy: I tear myself away from my busy life and make time for him, I start to include him into my world, and I compliment him, often.
What should a guy do on a first date to cast a killer impression?
He should remind me what butterflies in the tummy feels like! He should make me laugh till it hurts and he should be kind-hearted.
And, what should a guy totally avoid doing on a first date?
Arrogance and disrespect towards others. Everyone you meet is fighting a battle you know nothing about–so be kind.
When do you feel the sexiest?
Candlelight makes me feel super sexy. It creates the perfect ambience that transforms any room into one of fantasy and mystique.
What’s your guiltiest pleasure?
Game of Thrones, whilst being cuddled.
Have you ever flirted with a stranger?
I am incredibly shy when it comes to strangers I find attractive. I need to work on my game!
What’s the craziest thing a guy has ever done for you?
Surprised me with flying lessons.
How do you like to spend your weekends?
No weekend is ever the same for me. I like to balance my life between spending time with loved ones, keeping active and travelling. A simple life is a happy life.
Are you a travel buff?
Of course! Travel opens your mind, helps put life into perspective and forces you to step out of your comfort zone. In the last few years, I’ve developed a passion for trekking, and can include Mt. Kilimanjaro and Kazakhstan’s glaciers on my list.
Where did you go on your last holiday?
Hiking in Sigiriya, Sri Lanka.
What’s the best piece of guy-advice you’ve ever received?
Before you say there’s “no good men,” just make sure you’re a good woman.
What can Maxim readers do to make the women in their lives smile? In other words, #MakeHerSmile?
Always be honest. Help her realise her worth. And, no matter how bad the fight is, never go to bed angry. ▪
Pages 88–91: photographs, no text.
Outtakes
Mira Patel for Maxim India
Maxim India, October 2018. “Meet The Enchantress,” pages 84–91. Photographed by Nick Saglimbeni in Raleigh, North Carolina.
MIRA PATEL
Photography: NICK SAGLIMBENI
Text: SUNANDA VAID
Hair & Make-up: MIRA PATEL
Production: SLICKFORCE STUDIO
Location: THE MERRIMON-WYNNE HOUSE, RALEIGH, NORTH CAROLINA
Behind-the-Scenes Photography: SCOT FORTINO
Article text
Pages 84–85
MAXIM GIRL
Meet The Enchantress
MIRA PATEL, THE INDIAN-ORIGIN MAKE-UP ARTIST AND MODEL, IS CREATING HEADLINES ON AMERICAN SOIL. WE GET UP-CLOSE AND PERSONAL WITH THE INSTAGRAM SENSATION.
Text by SUNANDA VAID
Photographed by NICK SAGLIMBENI
Pages 86–87
“I feel sexiest when I am happy and comfortable in my own skin.”
Pages 88–89
Welcome to Maxim. How does it feel?
Thank you! It feels like a dream come true!
You’re a model and a make-up artist, too. What part do you like playing the most?
Though make-up came first, I always enjoyed the thought of modelling. Not that I didn’t have the same feeling for make-up, but I love the confidence and happiness I get from modelling. It makes me feel as if I am the prettiest girl in the world.
You’ve grown up in Badlapur and now you live in North Carolina. Which one do you call home?
Both are my home. My parents made it a very big deal about never forgetting our roots when we moved to the States. There are so many Indian traditions I carry out on a day-to-day basis; it’s in my blood and it’ll forever be a part of me.
You have a big fan base on Instagram. How did you build up this community?
Persistence and dedication definitely played a big role. To be more specific, I believe when I started blending my two worlds (being an Indian and American) and collaborating with different companies, people really took my page to another level. I focused on what I wanted to put out and get back. I always make it a point to interact with those who interact with me.
If not a model or a make-up artist, what would you have been?
That’s a scary question. I’ve met so many amazing people through this field, and so many doors have been opened not just for me, but girls in South Asian communities, too. I was born to be a model; without modelling and make-up, I would be lifeless. I get to express myself through my work, and without it I couldn’t imagine my life.
What does it take to impress you?
I am most impressed when a guy plans a spontaneous date or trip… something from the heart!
How do you let a guy know that you’re actually interested?
I’ll text back or Snap.
What’s your take on dating apps? Did you ever try being on one of them?
Haha, no. The thought of meeting strangers is a big scare for me. I also never really cared to go out of my way to find someone.
If we had to arrange a perfect date, what would you like us to do?
I would like to go somewhere where the stars are bright and visible. It’s so hard to see dazzling stars these days; and, yeah, we can forget the blankets and snacks!
When do you feel sexiest?
I feel sexiest when I am happy and comfortable in my own skin.
What’s the secret to a sexy selfie?
Confidence. Your face and posture will never lie. Be confident about your body and own it.
Define your dream guy in three words.
Smart, loving and funny.
What can Maxim readers do to make the women in their lives smile? In other words, #MakeHerSmile (our current public service campaign)?
Just love her. Text her and call her often, whenever you miss her. Plan fun date nights or impromptu trips to places you both want to go. You can even do something small but still meaningful, like having a romantic movie night at home. ▪
Pages 90–91
Hair & Make-up by MIRA PATEL
Shot on location at THE MERRIMON-WYNNE HOUSE IN RALEIGH, NORTH CAROLINA
Produced by SLICKFORCE STUDIO
Outtakes
Behind the scenes
Neha Sharma for Maxim India
Maxim India, August 2018 — The Ideas Issue. “Shine Like the Sun,” cover and pages 44–53. Photographed by Nick Saglimbeni in Mumbai.
NEHA SHARMA
Photography: NICK SAGLIMBENI
Styling: KHYATI BUSA
Styling Assistant: ARPITA CHONKAR
Make-up: ROSARIO BELMONTE
Hair: MARCELO PEDROZO
Text: PRIYANKA CHAKRABARTI
Location: RENAISSANCE MUMBAI CONVENTION CENTRE HOTEL, MUMBAI
Article text
Cover
MAXIM · The Ideas Issue · AUGUST 2018 ₹150
Sunshine & NEHA SHARMA — She’s Hotter Than Ever!
Other coverlines: Cocktails That Hydrate — Raising the Bar · Sex & Sensibility — The Modern Couple · A Dog’s Life — Hacks From Man’s Best Friend · Cellphone Salvation — Apps for the Mind · The Indian Sportsperson — Present & Future · Urban Style — From Street to Sport · #MakeHerSmile · INDIA VOLUME 13 ISSUE 7
Contents, page 4
44 NEHA SHARMA — The stunner makes her Maxim debut.
Photographed by NICK SAGLIMBENI
Pages 44–45
COVERGIRL
SHINE LIKE THE SUN
NEHA SHARMA, SHE OF TWINKLING EYES, MAKES HER MAXIM DEBUT.
Text by PRIYANKA CHAKRABARTI
Photographed by NICK SAGLIMBENI
THIS SPREAD — White swimwear set SUPERDRY. Fishnet high-waisted bottoms FLIRTATIOUS. Earrings H&M.
Interview, pages 47 and 53
Welcome to Maxim! How do you feel?
It feels absolutely fabulous. I think we’ve been trying to do this for a while, and I’m glad it’s finally happening! I guess some things are just meant to be.
What are you up to these days?
I am working on a couple of projects these days (can’t tell you just yet)! But, when I’m not working, I love training. Working out keeps me super-motivated. I love spending time with my dog, too. Oh, and I love watching movies. And, here’s something no one knows—I really enjoy reading books the authors of which have made a difference to this world, or tried to.
What are you currently reading?
I am currently reading Simple Abundance–A Daybook of Comfort and Joy by Sarah Ban Breathnach; it’s an amazing book and it makes me feel really good.
Tell us about your favourite movie.
La Vie en Rose—I can watch it over and over again; it has the most beautiful performances. It’s also got the most amazing soundtrack…this film has all my favourite things in it.
What are you like on vacation?
Super fun! I love exploring a city like a local, and I’m not someone who likes planning in advance and being all organised. I like to go with the flow and be impromptu. Now, being in the visual medium, we actors have to eat right because our profession demands us to look a certain way. But, when I’m holidaying, I like to indulge in the local cuisine—it just makes the whole experience more holistic. Also, like I’ve told you before, I really enjoy music so I make sure I visit places where I can hear some local jams. And, I can’t stress this enough, I love road trips. The drive to a destination is better than the destination itself, they say.
Where are you planning to go next?
This year, I want to visit Italy.
Excellent choice. What does a usual day look like?
My day always starts with a warm cup of water. Then, I take my dog for a walk and catch up with my family. This is often followed by my workout session, which is an integral part of my life. Work happens thereafter; but when I’m not working, I like cooking, reading and, basically, unwinding. Oh, and if I have the time, I go out for a nice meal.
What’s the secret to a sexy selfie—your Insta feed is full of them!
A happy heart and great light. Find a place with the perfect lighting and just take that selfie!
We’ll tell our girlfriends. Your favourite drink?
When I go out, I like to have a good time so I’m open to trying different concoctions. It depends on the place, company and my mood. But, I do have a fondness for a red wine sangria and a martini (I always ask for some extra olives).
Nothing like a good martini. What does a guy have to do to get your attention?
I’m attracted to quiet and shy guys. What’s amazing about them is that they smile from the heart and have honest eyes. It melts my heart. I don’t like loud and full-of-themselves kinda people.
When do you feel sexiest?
Leather pants do it for me.
What were you like growing up?
Goofy, talkative and entertaining—it all comes from the love I always had for drama and stage. I was very naughty. I loved playing outdoors and I have broken many bones in my body. If you see my childhood pictures, you’ll always find a plaster on me. That’s why I hate my childhood albums.
How is the entertainment business evolving for women in India right now?
It’s a better place for women now. Things are changing and lines are blurring. There was a time when married women didn’t get too much work, but all that is changing now—just look at how high Kareena, Anushka, and Aishwarya are soaring! Cinema has become more liberal, too…people are ready to experiment with scripts and the audience is ready for a transformation. Today, people are talking about equal wages for women and equal treatment at the workplace. I feel these will eventually happen, but at least we have started making the right noises.
Where do you see yourself in the next five years?
Happy, doing things I love, making good movies and, basically, I can’t stress this enough, chilling in life.
If we had to plan the perfect date night, what would it take?
Being in the arms of someone charming, watching a movie and soaking in a beautiful sunset—these are the ingredients that you will need. Think ocean views, jazz music in the backdrop, some red wine and delicious spaghetti on the plate.
A part of the reason why your fan base is so loyal is because you seem to present your genuine self on social media. Was that a conscious decision?
Not really. I can’t be any other way. This is who I am. I can’t pretend to be someone else. I think, if you’re real, people connect with you. My fans love me for who I am.
What is the good, bad and ugly of using social media in today’s digital age?
Social media is a great platform to express one’s views. For me, it’s a direct doorway to interact with my fans. On hindsight, though, there is so much hate and negativity and trolling to pull people down. People judge easily, and I don’t understand why. It’s not cool. One bad picture and there comes a long trail of judgments. I know being a celebrity means such things can’t be avoided, but sometimes it can get a little overwhelming.
If there’s something you could change about yourself, what would it be?
Absolutely nothing. I love myself now. I am very grateful for who I have grown up to be.
We have to ask: how did you like the OnePlus 6 phone?
It’s a damn cool phone. Perfect for taking selfies. ▪
Pull quote, page 49
“BEING IN THE ARMS OF SOMEONE CHARMING, WATCHING A MOVIE AND SOAKING IN A BEAUTIFUL SUNSET–THESE ARE THE INGREDIENTS FOR A PERFECT DATE. THINK OCEAN VIEWS, JAZZ MUSIC IN THE BACKDROP, SOME RED WINE AND DELICIOUS SPAGHETTI ON THE PLATE.”
Wardrobe captions
p. 46 — THIS PAGE — White linen shirt MARKS & SPENCER. Distressed denim shorts SR STORE. Floral bikini ROXY. Earrings H&M.
p. 48 — THIS PAGE — Floral cover-up ZARA. Bandeau criss-cross bikini set SR STORE. Earrings H&M. FACING PAGE — Scallop bikini set PURPLE PAISLEY.
p. 50 — THIS SPREAD — Bikini top NIDHI MUNIM. Bottom KAI RESORTWEAR. Macrame jacket VERANDAH. Sunglasses BURBERRY. Necklaces H&M. Hand charms H&M, FOREVER 21 and SWAROVSKI.
p. 52 — THIS PAGE — Monokini PURPLE PAISLEY. Earrings H&M.
Credits as printed, page 52
Styling by KHYATI BUSA · Assisted by ARPITA CHONKAR · Make-up by ROSARIO BELMONTE · Hair by MARCELO PEDROZO · Shot on location at RENAISSANCE MUMBAI CONVENTION CENTRE HOTEL
Priyanka Chopra Returns for Maxim India‘s Summer Double-Issue
In 2016, I first met Priyanka Chopra while photographing her in NYC for Maxim India. A few weeks ago, I returned to New York to photograph the global superstar for her record-making 5th time topping the magazine’s Hot 100 list.
With little time to produce the shoot, we quickly set the team in motion. Our location producer in Los Angeles secured an incredible building in Brooklyn—a former rope factory—with beautifully rusted steel columns and massive sliding doors made of sheet metal. The only issue was that all the windows faced north and east, and we were shooting at sunset, which meant I would get no direct light. To compensate, we placed mirrors on the roof landing, redirecting the sunbeams directly into the warehouse, which created stunning rays of light. (For detailed lessons on using fog & creating light rays see Mastering Lighting.)
Because Priyanka had a flight to catch that day, we had 45 minutes to complete the entire shoot (a luxury compared to the 12 minutes I had on this infamous Christmas Card.) The Quantico star effortlessly delivered another iconic cover, and I’m grateful to the team that helped us pull off a memorable shoot.
Go behind-the-scenes in the video below.
PRIYANKA CHOPRA
Photography: NICK SAGLIMBENI
Styling: MIMI CUTTRELL
Hair: CAMERON RAINS
Makeup: YUMI MORI
The Bachelor‘s Marikh Mathias for Maxim India
In March, my team and I flew to Utah to photograph entrepreneur and rising star Marikh Mathias for Maxim India. Marikh generated global buzz by being the first Indian contestant featured on ABC’s The Bachelor, and then again when she defending beauty queens everywhere by speaking out against glam-shaming.
We captured the editorial feature at historic McCune Mansion (circa 1898) in Salt Lake City. Jillyn Leone painted beautiful makeup for the shoot, and Sierra Miller kept the hair flowing. Thanks to lighting tech Scot Fortino for leading the SlickforceStudio team.
Marikh was an absolute charm to work with, as sweet as she is stunning. See the BTS video from our shoot below, and pick up your copy of Maxim India‘s April issue (Marilyn Monroe cover) on newsstands and digitally around the world!
CREDITS:
Photographed by NICK SAGLIMBENI for MAXIM INDIA
Makeup by JILLYN LEONE
Hair by SIERRA MILLER
Shot on location at MCCUNE MANSION in Salt Lake City, Utah
Videography by TESSA NEBEKER
BTS Stills by MIKAËL RICH
Photographing Actress Disha Patani for Maxim India
One of the most enjoyable aspects of photographing actors is the research stage. What’s more fun than watching movies to learn about your upcoming cover model? On the flight to Mumbai, I was happy to find the latest film starring Maxim India‘s November muse, actress Disha Patani, in Jackie Chan’s Kung Fu Yoga. Mr. Chan clearly has an eye for rising Bollywood talent, as he did when he cast Mallika Sherawat (who I photographed for Maxim India and WMB 3D) in The Myth more than a decade ago.
It’s easy to see why audiences fall for Disha. Her infectious signature smile is complemented by a sweet, sincere personality that would thaw even the uncharmable. We captured the cover shoot at Mehboob Studio in Mumbai, where I also photographed actor Ranveer Singh. Hair stylist Marce Pedrozo and makeup artist Flavia Giuliodori created gorgeous glam, and Sukriti Grover pulled stylish and sexy wardrobe.
Thanks to everyone on the team who helped create a beautiful feature. See my shoot with Disha in Maxim India‘s November issue, on stands now. Behind-the-scenes images below.
DISHA PATANI
Photography: NICK SAGLIMBENI
Hair: MARCE PEDROZO
Makeup: FLAVIA GIULIODORI
Styling: SUKRITI GROVER
Production Crew: IMRAN KHATRI PRODUCTIONS
BTS Stills & Video: RISHI KHARE
Photographing Actor Ranveer Singh for Maxim India
This August, I returned to Mumbai for a series of editorial shoots, the first of which hit stands this week. Bollywood mega-star Ranveer Singh graces the September cover of Maxim India, seen above with the beautiful Elena Fernandes. The posh pair model the latest styles in a sprawling 14-page fashion feature.
Ranveer was a lot of fun to work with, a total ball of energy who had the entire crew smiling and laughing. We photographed the shoot at Mehboob Studio in Bandra West, with many talented crew returning from my previous India shoots—including wardrobe stylist Nikita Jaisinghani (see our Rana Daggubati cover), and makeup artist Amelia Daswani, who glammed Shibani Dandekar for me and Maxim in March 2017.
Thanks to the incredible team that helped create such a memorable shoot! Behind-the-scenes images below.
CREDITS:
Talent: RANVEER SINGH & ELENA FERNANDES
Photography: NICK SAGLIMBENI
Stylist: NIKITA JAISINGHANI
Ranveer’s Makeup: MAHADEV NAIK
Ranveer’s Hair: DARSHAN YEWALEKAR
Elena’s Hair & Makeup (Elena): AMELIA DASWANI
Ranveer’s Suits Provided by: THE ARVIND STORE
Production Crew: IMRAN KHATRI PRODUCTIONS
BTS Stills & Video: RISHI KHARE
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The feature as published
Maxim India, September 2017. Cover and fourteen-page feature, “Into the Mind of the Stylish Man,” pages 48–61. Interview by Vivek Pareek. Photographed by Nick Saglimbeni in Mumbai.
Pages 48–49
Pages 50–51
Pages 52–53
Pages 54–55
Pages 56–57
Pages 58–59
Pages 60–61
RANVEER SINGH
ELENA FERNANDES
Photography: NICK SAGLIMBENI
Styling: NIKITA JAISINGHANI
Hair (Ranveer): DARSHAN YEWALEKAR
Makeup (Ranveer): MAHADEV NAIK
Hair & Makeup (Elena): AMELIA DASWANI at TFM India
Production: IMRAN KHATRI PRODUCTIONS
Location: MEHBOOB STUDIO, MUMBAI
Article text
Pages 48–49
Into The Mind Of The Stylish Man
Presenting RANVEER SINGH like you’ve probably never seen him before.
by VIVEK PAREEK
photographs by NICK SAGLIMBENI
Fashion, p. 49 (this spread): Bespoke three-piece suit and shirt by The Arvind Store (p.o.r.); tie by Tommy Hilfiger ₹2,999; lapel pin by The Gentleman’s Community ₹1,500; shoes by Dune ₹8,999
Pages 50–51
Fashion, p. 50 (this page): Ranveer wears: Bespoke suit, textured vest and shirt by The Arvind Store (p.o.r.); pocket square by The Gentleman’s Community ₹1,200; shoes by Brune ₹6,999
Elena wears: Dress by Deme by Gabriella ₹13,500; shoes by Steve Madden ₹6,999
MUMBAI. AUGUST 2017. GREY, OVERCAST. The city moves as it does. I’m meeting Ranveer, a bona fide superstar, an ace performer and also a guy most guys can associate with. He’s a Maxim guy. A man’s man. We’ve all heard stories of how he’s wild. True. How he’s intense. Also true. But what we haven’t seen is the man who’s got his own battles to fight, a dude who has a philosophy of living and a guy who works to party. Get ready to meet that Ranveer.
Hi, Ranveer, we’re very happy to have you back again. Your last Maxim shoot created a lot of ripples.
Thank you for having me. Yeah, that was a really sexy shoot. It’s probably still my sexiest shoot.
But it’s been a while.
It has. I guess, in my head, Maxim only puts hot women on the cover, not men. So, it didn’t strike me. But then, when I bumped into you the other day, it sort of struck us: “Hey, listen, why aren’t we collaborating again?” I’m glad to be back.
Nobody captures the essence of what Maxim is about like you. How do you stay so active? I see you and I want to kill myself. I wake up dead, and you’ll probably die charged.
I don’t know, man. People ask me this all the time, and it’s made me think about it. I’ve realised that it’s just me! Even in school, I was that kid. Always up to mischief. And, now, what I see is a lust for life. I want to go out and I want to do things. I want to meet new people and have new experiences. I try and make the most of every day. That’s basically it. It’s a deeply ingrained thought—that my time on Earth is limited, so I have to do as much as I can. Plus, I am one of those lucky few who get to do what they love. That’s how I approach my work: I feel like these opportunities are blessings and I feel the need to justify all these opportunities. I think: “Man, how amazing is it that I had just one dream, that there was nothing else I ever wanted to do and, today, I’m able to do that.” Sometimes, the things that happen to me and around me are beyond my wildest imagination. And that generates a great amount of enthusiasm in me as well.
And this enthusiasm translates into your work. Do you think there’s a method that goes into it or does it come naturally?
I feel like each character I play has a different default energy. For example, in Lootera and Dil Dhadakne Do, I played characters who were introverted, and the energy of an introvert is very different. You could say that I am an extrovert by nature, for a large part of the day. But I do prep for each of the characters I play. I can’t just walk onto a film set and pretend to know what I’m going to do. I have to do my homework, at least two or three weeks to sort of “marinate” in a character; it’s during this period that I kind of identify the character’s energy. I have to tap into a different side of myself sometimes, so there’s not one rule book or one way of going about it. I stay alone in a room with my material, sometimes I’m just sitting with my thoughts. Sometimes I’m mouthing dialogue and sometimes I’m pacing around the room. It’s definitely an invaluable process. You know, when I interact with some of my colleagues, they find it amusing that I take out so much time to prep for a character, but I find once you do that homework, you’re free to improvise on-set, and you can add something to a scene, or add a layer to the character.
You’ve played people who actually existed and you’ve played fictional characters. Which is more difficult to play?
Definitely the historical characters, because there are certain parameters that you have to work within. Fictional characters come from the writing, from the director, so you have a little more leeway to add to them, to expand them, or to highlight certain aspects that you find will be more appealing, entertaining or significant in the characterisation. But with historical characters, you try to do things within those set parameters and still not feel restricted. The historical characters that I’ve played are ancient, so the information available about them is limited. You try and do the math, you know, you try and create a personality out of the information that is available to you—decisions they’ve made in their lives, things they’ve achieved, their reactions to certain situations. You add all that up and try and then humanise everything. That’s where the homework comes into play, too. It’s a huge responsibility to try and stay true to that life, because this is someone who’s lived and breathed and affected history.
Excellent point about it being a responsibility. The character you’re playing in Padmavati is known through history as all-dark. How difficult was it to get into that head-space?
If you look at the history of Indian cinema, you’ll find that every time leading men have gone to the extent of being bad, it’s always motivated by a supervillain. But, for the first time—at least to my knowledge—I’ve gone and played an all-black, proper villain. And having worked on this character, I’ve realised that I don’t judge people’s perspectives… this has to do with my evolution as a person as well. Even the worst people have a perspective. They have a belief and perhaps their life experiences or a natural predisposition causes them to be a certain way. Every villain believes that he is right. So, you have to align yourself with that point of view. You also have to wrap yourself around the fact that it was a different time. I was initially apprehensive about playing this character because I know the space in my mind and in my soul that I would have to tap into, in order to put an honest performance out there. And I was actually in a good head-space at that time. But I believe in the duality of the universe. If there’s good, there’s bad; if there’s light, there’s dark; if there’s black, there’s white. There is always a counter-force. I believe in the goodness of people, but I also believe every person has some bad in them. I had to explore my dark side, go back to feelings that made me want to act out. I was scared. In this game of smoke and mirrors that is filmmaking, you can get the opportunity to burn all that kachra (garbage) that’s inside you and come out a lighter, kinder, happier person. You can channel it for something good, for art.
Pull quote, p. 51: “Sometimes, the things that happen to me and around me are beyond my wildest imagination. And that generates a great amount of enthusiasm in me as well.”
Pages 52–53
Fashion, p. 52 (this spread): Shirt by Eton at The Collective ₹17,000; trousers by Kenzo at The Collective ₹20,000; shoes by Brune ₹6,999
Pages 54–55
Fashion, p. 54 (this page): Bespoke tuxedo and printed shirt by The Arvind Store (p.o.r.); tie by Tom Ford (p.o.r.); collar pin by SS Homme ₹3,500; pocket square by Canali (p.o.r.)
It must have been tough.
It was a very difficult character to play. I’m a people pleaser, admittedly, I like to spread cheer and laughter, I like to keep the atmosphere light—even if it means making stupid jokes and acting silly and crass. But when I became Alauddin Khilji for the movie, there’s no trace of that person. Some actors are that way, where the external starts to affect the internal. At some point during filming, everybody realised that at one point in the morning you’ll have Ranveer and the rest of the day will be Khilji. My whole energy changed. Which is good, because at least I know I’m doing an honest job in the film. But, yeah, I’m almost done now and I have to say what I told myself holds true to some extent. All the darkness has been lived out, it’s been addressed. It’s almost like therapy.
Okay, follow-up question: would you do it again?
Wow! Probably a bad time to ask me that. I think I’ll have to give this side of me a break. I didn’t realise the conviction it would take to play evil. It’s really unlikely that I will do this again… it’s hard living with this guy. But the good part is that the characters lined up for my next few movies are very different.
Speaking of different, one of the things that always gets me is the on-screen chemistry you and Govinda had in Kill Dil. And I know he’s one of your idols. How was it working with a guy like him?
It was very surreal to be on a film set with him. We started off with a scene where he was driving, so it was tough to be in character because every so often I would go, “Oh shit! It’s Govinda, I’m actually in a movie with Govinda!” The fanboy in me would keep coming out, and I would be like, “Shut up! Shut up! Do your job!” But I took it as an opportunity to learn, to observe how he does what he does. In fact, you’ve reminded me of something so special right now, it makes me emotional. He is a large part of the reason I was attracted to Hindi films, and it’s really one of the high points of my career. My fondest memories are sitting at the monitor and being regaled by stories of how he did his own stunts. He has some crazy stories.
The going joke in our office is the “Push Pa” joke. You know, the kind of humour boys engage in when it’s just boys. Is that your brand in real life?
Yeah, it’s really bad. The boys and me have the lowest common denominator, filthy brand of humour that only we find funny.
It’s the same with all boys, I think. But we both know women are always going to be greater than men. Where does that belief come from as far as you’re concerned?
It has got a lot to do with my upbringing. My mom is the centre of my universe, as is my second mother—my elder sister, who’s two years older. Growing up in an environment with strong women around me has shaped who I am. Even when I was a copywriter, my boss was a woman. My romantic liaisons have also been with really strong, independent women and that has a lot to do with it as well. I’m also in the line of work where I’m surrounded by women. Plus, having studied in the U.S., I have a deep sense of gender equality.
Maxim has more women staffers than male, and I guess that’s why we get anything done.
I completely agree. Women have that wonderful gift of taking the edge off of everything. I much prefer collaborating with women, as I find them to be a lot more patient, more accepting of new ideas. I prefer the female energy to the male energy. And they’re sensitive.
What are you like as the guy in charge? What talents or traits come out in you on a personal level when you’re the boss?
I think I want to be better. As the years go by and you build a brand for yourself, you find you’re the CEO of brand Ranveer, so you would like to improve. I have a temperament and my mind works so fast that, a lot of times, I’m edgy because someone is not able to keep up. I need a little bit of “expectation management.” At this point, I think that’s the answer. I can’t expect everybody to work at the speed of my decision-making. I’m not terrible, of course, and I think the good aspect of working with me is that you see a level of sincerity and commitment that is infectious. I would like to believe that I lead by example, and that I’m very hands-on and meticulous. And I’d like to believe that attitude is infectious. But there’s scope for improvement, and I’m aware of that.
You’ve mentioned brand Ranveer, so what would your tag line be?
I guess, “Whatever you want me to be.”
I have heard that you are hard on yourself. Seems like it when you say that.
I think it’s relative. For some reason, I always feel like I can do more, that I can give more, or I could be just that little bit better. But I make a conscious effort to try to be objective. I was very, very hard on myself in the initial years, though. I would put pressure on myself to deliver but I slowly started realising that it’s unnecessary. I wasn’t enjoying the process as much as I should. And, over a period of time, I’ve learned to enjoy the process. And I find that a much more peaceful way to be.
Let’s switch tracks a little bit. This is our Style Issue, and I have to ask what brings out this experimental side. Is it conscious or is it something that just evolved?
It’s been a journey. To be fair, I’ve always been experimental with my style, ever since school. I was known to be the first one to try something different—wearing baggy jeans, wearing chunky silver jewellery, colouring my hair, getting a Mohawk, piercing my ears. In fact, I was the first one to use styling gel in my hair and that caused such a furore. The guys around tended to make safer choices and they’d call me atrangi. It’s a tag I’ve carried since school. Even when I went to college, I found the same silhouette on legions of boys and girls, and it was amusing. Why would anybody wear the same blue jeans and a black North Face zip-up that every other person was wearing? Plus, I had to creatively put something together to make an impressive look because I couldn’t afford a black zip-up jacket. When you’re starting out in the movies, you’re vulnerable and seeking validation. The time when you’re famous but not really. When you’ve achieved something but it’s perhaps not significant enough. I was trying to not just dress, but speak and act in a way that I thought people expected of an up-and-coming actor in the mainstream movie business. I was trying to fill the mould of expectations. So if you see my first few public appearances, they are much safer and more in line with the trends. But that wasn’t really me.
Pull quote, p. 55: “I like that my style is an extension of my personality. And I’ve reached a point where I’m empowered enough to encourage other people to express themselves in the way they act, speak and even dress”
Pages 56–57
Fashion, p. 56 (this spread): Shirt by Love Moschino at The Collective ₹15,000; trousers by Tommy Hilfiger ₹8,999; trenchcoat by Burberry ₹1,35,000; shoes by Rosso Brunello ₹8,999
Pages 58–59
Fashion, p. 58 (this page): Bespoke suit, textured vest and shirt by The Arvind Store (p.o.r.); pocket square by The Gentleman’s Community ₹1,200; shoes by Brune ₹6,999
How did that change?
I had a life-changing phase when I had a very serious back injury that put me out of action for many months—and physical injuries really get me down. I was only on my third film, Lootera, and I was on bed-rest for two months. I was like, “Man, here I am, where I always wanted to be, but I may never be able to do everything mainstream actors are required to do. I can’t even stand on my two feet!” It was a very significant phase in my personal evolution. And, when I came out of it, I realised I was a little bit more in touch with myself, more self-sufficient, less seeking the validation of others. So I started dressing the way I wanted to dress. By that time, I’d grown facial hair and my hair was longer, which is my preferred way of how I want to look. And I had all the time in the world so I had ordered a bunch of stuff for myself. When I came out of that phase, I looked the way I wanted, and I was not trying to conform. I was just doing what I felt and I realised I was much happier that way. The feedback remained good and bad, like before. Some people are going to like and some people are going to dislike what you wear or do, so you’re better off doing what you want to do. I started having fun with it. I feel like people are too quick to judge the way I dress. It’s not always that my clothes are out of the ordinary. Eight out of 10 instances, I’m dressed very casually. It’s the one instance when I decide to amuse myself that tends to get noticed. It’s like the goalkeeper syndrome, you know, where the goalkeeper makes 20 saves and nobody notices, but the one time he screws up and suddenly the spotlight’s on him. I find it very weird when people say, “Oh, you’ve made it your thing now.” It’s absolutely not my thing. It’s something I do because I find it amusing and I do it for myself.
So, what is your sense of style, you think?
I appreciate designers who push boundaries, who come up with something unique. And it is those unique elements that I find appealing. For example, if I’m supposed to get ready for an event and there are 10 suits on a rack and there’s one that has some stand-out elements, I’m probably going to be attracted to that. It’s just my natural instinct. I like that my style is an extension of my personality. And I’ve reached a point where I’m empowered enough to encourage other people to express themselves in the way they act, speak and even dress. If you’re feeling something, I feel you should express it. And it really depends on my mood, since I’m not afraid to follow my instincts.
You’ve done a lot of those viral stunts. Do you like to surprise people?
Of course. My school friends will vouch for this. I’ve always had this sulemani keeda—that itch to be a mischief maker. I guess it’s a function of coming into my own. And as people see more of me, they discover that side more and more.
Do you think ladies find that attractive?
I really don’t care. As a gentleman, I know what I bring to the table in terms of my personality. I don’t believe I’m the most good-looking guy, in terms of the conventional idea. But I’m very secure with my masculinity. Like I said, I don’t fear being judged. These are things that fall into the realm of subjectivity. The content is the same, it’s just that the context is different. It’s a way of viewing something. Someone with a negative perspective will say, “Oh, he’s so brash and loud!” while others will say, “He’s so enthusiastic.” It’s a way of looking at things. I’ve learned to take the good with the bad.
You don’t seem like the kind of guy who, I would imagine, has a lot of fears. Do you?
It’s all about learning to live in the moment, to relish the process rather than worrying about the prize. I don’t get anxious about the future and I don’t dwell in the past. It’s a happier way of being. I feel like so much of our lives are just not in our control, it’s the ebb and flow of the universe that is responsible for so much of who we are and what happens to us. It’s funny you ask this because just yesterday, my mind drifted to whether I was taking my own talent and ability for granted. “What if I’m just not able to do what I’m supposed to do?” And a chill went through me. That’s damn scary! What if I wake up and I’ve lost the ability to perform? It’s still a very recent and nascent thought, so I’ll have to dwell on it and see what comes from it.
Not too much, I hope. To counter that, if you were to be a superhero, who’d you be?
Deadpool! I would be Deadpool! I don’t know, man, I just connect with him. There was this poll online about who should be Deadpool if it were made in India, and I had a unanimous win there. I guess there’s something about his brand of humour, his irreverence and his attitude.
Do you Google “Ranveer Singh”?
All the time. If there’s anybody in show business who tells you they don’t Google themselves, they’re lying.
What would you say to a regular, decent guy to make him believe he can be exactly who he wants to be?
I’d tell him happiness is a choice. And that he should only depend on himself for happiness and a feeling of fulfilment. Life is too short, and he should try and live in the moment as much as possible. There’s this quote, “The past is ashes, the future is wood, the only thing that burns is the present.” Someone has defined success as the magnitude of the beneficial footprint that you leave on society. I feel success is measured by how you’ve improved the lives of the people around you. As much as we are encouraged to succeed as individuals, those experiences mean nothing if we don’t share them. It all sounds very philosophical, but I believe you have only one life—that you know of—so live it to the maximum.
Pull quote, p. 59: “As much as we are encouraged to succeed as individuals, those experiences mean nothing if we don’t share them. I believe you have only one life—that you know of—so live it to the maximum”
Pages 60–61
Fashion, p. 61 (this spread): Ranveer wears: Shirt by Eton at The Collective ₹17,000; trousers by Kenzo at The Collective ₹20,000; shoes by Brune ₹6,999
Elena wears: Dress by Terrence Lobo ₹4,500; shoes by Dune ₹7,999; earrings by Shaze ₹1,790
Credit box, p. 61: MODEL ELENA FERNANDES
STYLING NIKITA JAISINGHANI
HAIR (RANVEER) DARSHAN YEWALEKAR
MAKE-UP (RANVEER) MAHADEV NAIK
HAIR & MAKE-UP (ELENA) AMELIA DASWANI AT TFM INDIA
PRODUCTION IMRAN KHATRI PRODUCTIONS
Stunning Sri Lanka & Shooting Maxim India in Mumbai
Sunset at Weligama Bay © Nick Saglimbeni / Slickforce Inc.
Shibani Dandekar by Nick Saglimbeni for Maxim © Slickforce Inc.
I spent the majority of March overseas, shooting multiple features for Maxim India, and then visiting one of the places I’ve dreamed of exploring since I was a child—mystical Sri Lanka.
Working in India with the Maxim team was an unforgettable experience. 24 hours after I landed in Mumbai, I photographed Indian film superstar Rana Daggubati, of the Bollywood blockbuster Bahubali. The mega-shoot took place at Film City Goregaon (think Universal Studios in India, a massive backlot with every environment imaginable), where we shot the cover and fashion feature in a huge soundstage. Then we headed outdoors to capture a promotional Jeep Wrangler off-road adventure in the woods. A few days later, I photographed TV host and model Shibani Dandekar in a hypercolor editorial that had the Indian entertainment blogs buzzing over her beauty.
After our Maxim shoots, I ventured south to enchanting Sri Lanka. I traveled from Colombo to Galle via train, and then continued to the southern end of the island via tuk-tuk (motorized rickshaw, photo below) to visit the legendary beaches and do some whale-watching. The sunsets were among the best and most colorful I’ve ever seen, and the people incredibly friendly. The beautiful country exceeded my expectations, and I look forward to going back.
The April issue of Maxim India is on stands now. My thanks to publisher Vivek Pareek and his amazing team for hosting me on my Indian adventures. Behind-the-scenes photos and travelogue images below.
CREDITS:
Cover shoot – Rana Daggubati, with models Riya Ray and Carolina Nalerio
Stylist: Nikita Jaisinghani
Rana’s Groomer: Aalim Hakim
Hair & Makeup: Rashmi Shastri
Photographed by Nick Saglimbeni
Shibani Dandekar Shoot
Stylist: Chandni Bahri
Makeup: Amelia
Hair: Ayesha Mulla
Photographed at the JW Marriott Mumbai by Nick Saglimbeni
Film City BTS by Sana Chhabra
All other images © Nick Saglimbeni / Slickforce Inc.
 Shibani Dandekar for Maxim © Slickforce Inc. |
 Carolina Nalerio for Maxim © Slickforce Inc. |
 Rana Daggubati for Maxim / Jeep © Slickforce Inc. |
 Reviewing photos w/ Rana & Maxim publisher Vivek Pareek |
 Maxim India April Cover (color variant) by Nick Saglimbeni |
 Team Maxim India with Rana Daggubati |
Shooting the Maxim cover at Film City Goregaon, Mumbai
 My star model in Sri Lanka, two year-old Iruki |
 Sunset in Weligama, Sri Lanka |
 Colorful tuk-tuk in Colombo, Sri Lanka |
 Polwatta River in Weligama, Sri Lanka |
Crystal coast at Midigama, Sri Lanka © Nick Saglimbeni / Slickforce Inc.
