Posts Tagged ‘Vida Guerra’
I’ve always like shooting with Vida. She’s as pro as they come, so much so that some days don’t even feel like we’re working. She does her thing, I do mine, and we’ve each done it 1000 times. So when the publisher of Vida’s mag (yes, she now commands her own entire title) contacted me with the “after dark” concept, I thought “Well, here’s something new.”
For one, I’ve always shot not only Vida, but nearly every other model either in a studio or outdoors in sunlight. Suddenly with an issue that would predominantly feature outdoor night shots, I had to get creative—especially technically. I decided to reach into my old cinematography bag of tricks and pull out all the “night shot” classics: fog machine, silhouettes, out of focus cityscapes—the works.
We shut down the Highlands club in Los Angeles for day one (it was pouring down rain and my poor photo assistant Ashley slipped and fell down the escalator.), and the shoot went relatively smoothly until an hour before wrap. We were shooting the cover shot (cabaret on stage with smoke) and our fog machine tripped the smoke detectors on the entire complex. Though I apologized profusely to the LAFD, one wonders how in fact the club didn’t set it off nightly. Sensitive little buggers.
On day 2 we secured a house high atop Studio City, with a killer view. The owner was, let’s say, eccentric. Naturally, in freezing October temperatures I forced Vida to get in the unheated pool (I’m horrible, I know). But my favorite setup was the lingerie look on dry land. I had my assistants smoke up the background, but the wind was strong so it kept blowing away. I had them put it on full-blast, but then suddenly the wind stopped, and then the fog was so thick I couldn’t see Vida. So for haha’s I took a test shot—and fell in love with the look. I could barely make out her silhouette, and she was surrounded by an ethereal glow. Magic!
Though I didn’t know it at the time, we were shooting what would become my 100th magazine cover. Though I hardly feel my career has been long enough to look back, moments like these offer a great opportunity to stop, reflect, and realign yourself with your new goals.
I was thrilled when I got the call that Vida Guerra was returning to modeling. She was my first celebrity model client when I started shooting magazines. I first worked with her on shoots promoting National Lampoon’s Dorm Daze 2. By 2006 we were working together almost exclusively (I think I missed a King and an FHM cover due to prior arrangements), so I was extra bummed when she retired from modeling in early 2007, right after we shot her calendar in Cancun (THAT was a fun trip with lots of stories that I’ll save for later, but remind me to tell you about calling Vida’s dad the wrong name all week and something about a chicken.)
When approaching a shoot, I always try to avoid repeating not only myself, but also other shoots that the model has done. With a model like Vida, you have to accept that guys are buying the mag primarily for her incredible shape. But having become Vida’s friend, one thing I always felt that other photographers missed was her smile and her personality. Yeah, her butt is great, and that’s easy to make look good, but I decided to show Vida in a way she hadn’t been seen before—having ridiculous fun. This was Vida’s first magazine shoot in over two years, and I wanted something really different. So what better location than Ultimate Graveyard?
We all busted our butts for the two-day shoot, and I towed that ’55 Chevy Clipper into the desert with my Hummer (I picked it up at an auction for $500…the Clipper not the Hummer LOL). Then, all the production vehicles, including the RV, got stuck in the sand due to windstorms, so I had to tow 5 vehicles out of the sand. That was the day I fell in love with my truck.
Vida says this is her favorite shoot ever. Hopefully the fans like it too.
(And as you’ll see in the behind-the-scenes, my crew really helped me hit this one out the park. Love to my awesome Slickforce team.)