Archive for the ‘Fashion Shoots’ Category

Shooting the Combs Family Christmas Portrait

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This week, the Combs family released their debut Christmas portrait. Each family member looked extra sharp in their all black-and-white ensemble, making for both a classic and a classy holiday memory. A very special thank you to Kala Faulkner, Jennifer Stith, and Sean “Diddy” Combs and family for allowing me to capture this special moment, and  to the amazing Slickforce team for their quick on-set maneuvering and support. Here’s a sneak peak behind-the-scenes. Merry Christmas, everyone!

Photography by NICK SAGLIMBENI
Production Stills by JOYCE PARK for SlickforceStudio

WMB 3D: Kendall & Kylie Jenner at Ultimate Graveyard

It’s probably the alternator.

In Issue 3 of WMB 3D: World’s Most Beautiful, I brought two of my favorite rising starlets out to Ultimate Graveyard for an apocalyptic shoot-to-remember. Kendall and Kylie Jenner’s fashion feature was styled by the insanely talented Monica Rose, who found the perfect pieces to complement the decaying location.

Here is a backstage look at the making of this shoot, with wonderful production images by photographer Joyce Park. WMB 3D #3 is available now for iPhone, iPad, and on Google Play. And check out the video below for a closer look at the shoot!

CREDITS
Photography by NICK SAGLIMBENI
Styling by MONICA ROSE
Makeup by GABY RAMOS TORELL
Hair by JAKOB SHERWOOD

Production Stills by JOYCE PARK for SlickforceStudio

Photographing Estella Warren for WMB 3D: World’s Most Beautiful

Alright, I’m just going to come right out and say it: I love my job. When I was kid, I could only have dreamed that one day I’d find myself in a career where I am constantly surrounded by the world’s most beautiful women. With all that said, it’s not everyday that you get to photograph an actual supermodel.

Like most, I had first “known” Estella Warren from seeing her in countless Chanel campaigns, and in Hollywood blockbusters like Tim Burton’s Planet of the Apes. My first shoot with Estella was in 2011—when I photographed her for Breast Cancer Charities of America’s iGoPink campaign (read post here)—and we became instant friends. Her stories make me laugh, and on camera she conjures the most striking expressions with seemingly minimal effort—truly a photographer’s dream.

After the success of our first two editions of WMB 3D: World’s Most Beautiful, I wanted to follow up with an unforgettable third issue. I envisioned a bold cover to round out the trilogy, and yet I knew that only an amazing and experienced model could make risqué look both artistic and classy. Estella delivered on all fronts, and she was charming throughout the shoot, despite the provocative and sometimes painful poses. She was particularly excited about being photographed in 3D.

I’m proud to announce that today, you can see Estella’s cover, interview and 8-page photo feature in Issue 3 of WMB 3D. It is available on iPad, iPhone and on Google Play. There are also a limited number of Collector’s Print Editions available in the Saglimbeni Store here. (read about the printing process here). I’m in awe of the beautiful work rendered by the glam squad, and I am eternally thankful to Ms. Warren for our most memorable cover yet.

Enjoy!

CREDITS
Photography by NICK SAGLIMBENI
Makeup by THERESE WILLIAMS
Hair by AL INGRAM
Styling by NATALIE YURI

Production Stills by JOYCE PARK for SlickforceStudio

WMB 3D’s Warehouse Wonderland Makes Sony World Photo 3D Finals!

Breakthrough.

This morning, we were notified that an image from our 3D fashion feature, Warehouse Wonderland, made the finals at the Sony World Photo Awards in the 3D Category. The piece, entitled “Breakthrough,” was featured in Issue 2 of WMB 3D: World’s Most Beautiful in 2012.

This is the second year we’ve been recognized by Sony and the WPO. In 2012, we won the Grand Prize in 3D for our fashion piece, Nuclear Summer, also shot for WMB 3D (See pics from last year’s award win here.) It is an honor to be in such esteemed company as our fellow nominees, and it is a personal thrill for me to see our wonderful art house get recognized for its landmark achievements in 3D photography.

I also must thank our team for helping me create this beautiful image. Fashion model Aryn Livingston graciously allowed me to dirty her up in the industrial warehouse. Genius stylist Monica Rose wowed us all again with her out-of-this-world wardrobe styling. Hair stylist Gio Campora and make-up artist Gaby Ramos Torell—the same glam squad that brought you our globally-reknowned desert shoot with Bollywood superstar Mallika Sherawat, returned to lend their enormous talents and create their signature brand of magic. My thanks to WMB 3D Executive Publisher Howard Misle and the WMB staff, and to the entire Saglimbeni3D technical team, including lead engineer German Pinchevsky, post-production supervisor Joyce Park, production coordinator Kevin Savarese, and art director Clint Davis.

Read more about our Sony WPO nomination on FStoppers.com, and watch the making of Warehouse Wonderland below!

WMB 3D: 02 Warehouse Wonderland High Fashion from Nick Saglimbeni on Vimeo.

Remembering the Talents of Make-up Artist Kimberly Pletz

I only worked with Kimberly Pletz a handful of times, and yet the images she helped me create remain some of my favorites of my career. You only had to meet Kim once to remember her forever. She was a fireball of energy, with a wicked sense of humor that had you either buckling over with laughter or running for cover. Either way, she kept you on your toes.

Kim provided makeup for three of my first fashion shoots of any note: Skid Row Princess, Castle Diva, and a fashion story featuring model Donna Feldman. Each of these shoots produced images that remain in my portfolio to this day. She created wonderfully smoky eyes amidst striking color palettes, and never backed down from a challenge. She was an artist, a visionary, and a friend. Sadly, Kim passed away earlier this week. I hadn’t spoken to her in a few years, and—as life has a way of reminding you—you often don’t get the chance to say good-bye.

So, my goodbye to Kim is a look back at the work we did together. The world has lost an amazing artist, and—perhaps even more rare—an unforgettable personality. Rest in peace, Kimberly Pletz.

The Making of the 2012 Kardashian/Jenner Christmas Card

Since 2010, I’ve been helping the Kardashian family create their brand of Christmas magic with their annual holiday card. In 2010 and 2011, the family opted for a more dramatic theme, and so I did my best to create that with the lighting, blocking and pose direction. This year, Kim wanted a much happier vibe, something with lots of energy. She also wanted everyone in white.

As any photographer or cinematographer knows, capturing perfect skin tones with white wardrobe usually comes down to a compromise between skin underexposure and protecting white highlights from clipping. However, after years of experimentation, I finally accepted that I just don’t like the way underexposed skin looks, even with exposure levels corrected in Lightroom. When shooting any of my clients, skin glow is almost always my top goal, above even wardrobe.

The three-day mega-shoot spanned the country, beginning in Miami in October and ending in LA just two weeks ago. For my team, that meant tracking detailed setup parameters to insure family members not photographed in Miami could be seamlessly added to the final image.

Most of you who follow my work know that I rarely talk about my lighting setups. This week, however, UK journalist Jon Severs persuaded me to discuss the lighting of the Christmas card, and I went into a surprising amount of detail, more than I ever have before. You can read the interview here.

I’ve attached my actual lighting diagram below, please take a moment to appreciate the fine chicken scrawl. And enjoy these wonderful behind-the-scenes images taken by photographers Joyce Park, Scot Fortino and Kate Garfield for SlickforceStudio.

My thanks to Kris, Kim and the entire Kardashian/Jenner family for allowing me to capture the card & help create such a festive moment in their lives!

CREDITS: Makeup by Mario Dedivanovic and Rob Scheppy. Hair by Clyde Haygood and Scott Cunha. Photographed at Temple House in Miami and at SlickforceStudio in Los Angeles.

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